Works of Art (62)
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[Amateur Snapshot Album], 1890–92, Unknown Artist, American School, 286 cyanotypes and gelatin silver prints (1997.54) |
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An Unusual Assembly, late 19th–early 20th century, Iran, Ink, transparent colors, and gold on paper (1979.461) |
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Bamboo in the Four Seasons, Muromachi period (1392–1573), Attributed to Tosa Mitsunobu (Japanese), Pair of six-panel folding screens; color, ink, and gold on paper (1975.268.44,45)
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Bamboo in Wind, Ming dynasty, ca. 1460, Xia Chang, China
Hanging scroll; ink on paper (1989.235.1) |
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Birds and Flowers of the Four Seasons, Momoyama period, early 17th century, Kano School, Japan, Pair of six-fold screens; color on gold-leafed paper (1987.342.1,2) |
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Blind Orion Searching for the Rising Sun, 1658, Nicolas Poussin (French), Oil on canvas (24.45.1) |
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The Bodmer Oak, Fontainebleau Forest, 1865,
Claude Monet (French),
Oil on canvas (64.210) |
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Bohemia Lies by the Sea, 1996, Anselm Kiefer (German), Oil, emulsion, shellac, charcoal, and powdered paint on burlap (1997.4a,b) |
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Clump of Trees with a Vista, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Drypoint; second state of two (20.46.4) |
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Cypresses, 1889,
Vincent van Gogh (Dutch),
Oil on canvas (49.30) |
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The Dayspring from on High, 1890s–1900s, Alexander Keighley (British), Carbon print (54.549.20)
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The Edge of the Woods at Monts-Girard, Fontainebleau Forest, 1852–54,
Théodore Rousseau (French),
Oil on wood (96.27) |
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The Fairy Tree at Colinton, ca. 1846, David Octavius Hill (Scottish,); Robert Adamson (Scottish), Salted paper print from paper negative (1997.382.29) |
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Falls of the Llugwy, at Pont y Pair, 1857, Roger Fenton (British), Albumen silver print from glass negative (1988.1027) |
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The Ferryman, ca. 1865,
Camille Corot (French),
Oil on canvas (14.40.811) |
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The Flowering Orchard, 1888,
Vincent van Gogh (Dutch),
Oil on canvas (56.13) |
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Fontainebleau: Oak Trees at Bas-Bréau, 1832 or 1833,
Camille Corot (French),
Oil on paper laid down on wood (1979.404) |
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A Forest at Dawn with a Deer Hunt, ca. 1635, Peter Paul Rubens (Flemish), Oil on wood (1990.196) |
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The Forest in Winter at Sunset, ca. 1846–67,
Théodore Rousseau (French),
Oil on canvas (11.4) |
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The Four Accomplishments, Muromachi period, mid-16th century,
Kano Motonobu (Japanese),
Pair of six-panel screens; ink and color on paper (1991.480.1,.2)
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Garden Landscape and Fountain, ca. 1905–15,
Louis Comfort Tiffany (American); Tiffany Studios,
Favrile glass, cement (1976.105) |
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A Gathering at Woods' Edge, ca. 1765–73,
Jean-Honoré Fragonard (French),
Red chalk (1995.101) |
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Hills III, 1986,
Avner Moriah (Israeli),
Oil on canvas (1987.205.1) |
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Landscape with a Tree and a Farm Building, Anthony van Dyck (Flemish), Pen and brown ink, brush and brown wash (2003.27) |
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Landscape with Architecture, ca. 1730, Isaac de Moucheron (Netherlandish), Pen and brown ink, brush and brown and black ink over traces of black chalk (61.21.2) |
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[Landscape with Clouds], probably 1856,
Roger Fenton (British),
Salted paper print from glass negative (1997.382.35) |
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Landscape with Trees, Aelbert Cuyp (Dutch, Black chalk, gray wash, watercolored in brown, yellow, and green, partly brushed with gum arabic (07.282.14) |
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Landscapes after Ancient Masters, Qing dynasty, dated 1674 and 1677,
Wang Hui (Chinese) and Wang Shimin (Chinese),
Album of 12 paintings; ink and color on paper; 10 paintings by Wang Hui (1989.141.4) |
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Landscapes after Ancient Masters, Qing dynasty, dated 1677,
Gao Cen (Chinese),
Album of ten paintings: ink and color on silk (2007.50) |
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Landscapes and Trees, Qing dynasty, ca. 1679, Gong Xian (Chinese), Album of twelve paintings; ink on paper (1979.499) |
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[The Large Tree at La Verrerie, Romesnil], ca. 1852, Louis-Rémy Robert (French), Salted paper print from paper negative (2005.100.38) |
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A Large Tree, Salvator Rosa (Italian, Neapolitan), Pen and brown ink, on brown paper (11.66.7) |
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Lovers, ca. 1525–30, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma), Etching, first state; sheet, trimmed to platemark (26.70.3 [102]) |
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Magnolia and Irises, ca. 1908,
Louis Comfort Tiffany (American); Tiffany Studios,
Leaded Favrile glass (1981.159) |
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A Meadow Bordered by Trees, ca. 1845,
Théodore Rousseau (French),
Oil on wood (11.45.5)
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Motiv aux Pommern, 1895–96, printed 1902, Hugo Henneberg (Austrian), Gum bichromate print (33.43.412) |
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Multnomah Falls Cascade, Columbia River, 1867, Carleton E. Watkins (American), Albumen silver print from glass negative (2005.100.108) |
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[Oak Tree and Rocks, Forest of Fontainebleau], 1849–52, Gustave Le Gray (French), Salted paper print from paper negative (2000.13) |
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Olive Orchard, 1889,
Vincent van Gogh (Dutch),
Oil on canvas (1998.325.1) |
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Persimmon Tree, Edo period, late autumn 1816, Sakai Hoitsu (Japanese), Two-panel screen; ink and color on paper (57.156.3) |
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Pine Trees in Pushkin Park, 1927, Aleksandr Rodchenko (Russian), Gelatin silver print (1987.1100.5) |
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The Plantation, ca. 1825, Unknown artist (American), Oil on wood (63.201.3) |
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Plum, Bamboo, and Rock, 1942,
Xu Beihong (Chinese),
Hanging scroll: ink and color on paper (2005.509.13) |
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Princely Couple with Attendants, second quarter of 15th century; Timurid, Iran or Central Asia, Colors and gold on silk (57.51.24) |
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Promenade among the Olive Trees, 1905–6, Henri Matisse (French), Oil on canvas (1975.1.194) |
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Returning Home, Qing dynasty, ca. 1695, Shitao (Zhu Ruoji) (Chinese), Album of twelve paintings; ink and color on paper (1976.280a) |
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A River Landscape with Storks, 1864,
Charles-François Daubigny (French),
Oil on wood (14.40.818) |
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Road in Etten, 1881, Vincent van Gogh (Dutch), Chalk, pencil, pastel, watercolor (1975.1.774) |
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Summer Morning, ca. 1830, Made by David Lucas (British); Designed by John Constable (British), Mezzotint (39.68.27) |
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Ten Thousand Miles along the Yellow River, Qing dynasty, 1690–1722,
China,
Two handscrolls: ink, color, and gold on silk (2006.272a,b)
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The Three Trees, Rembrandt (Rembrandt Harmensz. van Rijn) (Dutch), Etching with drypoint and engraving (29.107.31) |
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[Tree Study, Forest of Fontainebleau], ca. 1856,
Gustave Le Gray (French),
Albumen silver print from glass negative (1987.1011) |
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The Trout Pool, 1870, Worthington Whittredge (American), Oil on canvas (21.115.4) |
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View of Kensington Gardens, ca. 1811, John Linnell (British), Watercolor over graphite on paper (2000.238) |
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View of the Lake and the Island from the Lawn at Kew (plate 38), 1763, William Marlow (English), Designed by Sir William Chambers (English), Watercolor (25.19.38) |
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Ville-d'Avray, 1870,
Camille Corot (French),
Oil on canvas (87.15.141) |
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Waterfall at Terni, 1826,
Camille Corot (French),
Oil on paper laid down on wood (2003.42.13) |
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Wheat Field with Cypresses, 1889,
Vincent van Gogh (Dutch),
Oil on canvas (1993.132) |
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Winter Yosemite Valley, 1933–34, Ansel Adams (American), Gelatin silver print (49.55.177) |
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Wooded Landscape at L'Hermitage, Pontoise, 1879,
Camille Pissarro (French),
Softground etching, drypoint, and aquatint on china paper, sixth state (21.46.1) |
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Wooded Landscape with Herdsmen and Cows, mid- to late 1780s, Thomas Gainsborough (British), Aquatint, printed in brown ink (49.95.59) |
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Wooded Upland Landscape, probably 1783, Thomas Gainsborough (British), Oil on canvas (06.1279) |
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Thematic Essays (10)
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